Louis Poulsen

Louis Poulsen PH 5-4½ & PH 6½-6 Pendant Light

PH 5-4½ & PH 6½-6 PENDANT LIGHT

Louis Poulsen PH 5-4½ & PH 6½-6  Pendant Light

PH 5-4½ & PH 6½-6 PENDANT LIGHT

Designed by Poul Henningsen

The trumpet-shaped top shade on the fixture provides illumination of the area above the three shades, which primarily direct the light downwards.

A base reflector and a blue glare ring protect against glare from all angles.

The strongest light is directly under the fixture. The shades have a matt white painted finish to ensure very comfortable lighting.

Louis Poulsen PH 5-4½ & PH 6½-6  Pendant Light

DESIGNER

POUL HENNINGSEN

Poul Henningsen was born in Copenhagen by the famous Danish writer Agnes Henningsen. He never graduated as an architect, but studied at The Technical School at Frederiksberg, Denmark from 1911-14, and then at Technical College in Copenhagen from 1914-17.

Louis Poulsen PH 5-4½ & PH 6½-6  Pendant Light

He started practicing traditional functionalistic architecture, but over the years his professional interests changed to focus mainly on lighting which is what he is most famous for.

Poul Henningsen designed the three-shade system back in 1925-1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued right up until his death in 1967.

Throughout his life, PH sought to create glare-free light, direct light where it was most needed, and create soft shadows, using incandescent bulbs as a light source.

The four-shade system was launched in 1931 to create a fixture which could be mounted high up and serve as an alternative to the commonly used chandeliers.

The PH four-shade light was designed to increase the amount of light emitted horizontally to provide greater illumination of walls and shelves than was possible using standard three-shade lights.

It was removed from the Louis Poulsen standard range in the 40s, but was redesigned in 1979 by two Danish architects – Sophus Frandsen and Ebbe Christensen – for the Charlottenborg exhibition building in Copenhagen, although in a larger size: PH 6½/6. To resolve the never ending glare problem, the two architects decided to add a small blue shade to the design.

They also added a new surface with a more matte, white painted shade, to achieve a more even, comfortable light – ideal for museums and exhibition rooms or as general lighting in rooms with high ceilings. A smaller version, the 5/4½, was created for the Aarhus Concert Hall in 1984.

INFORMATION 

BRAND 

Louis Poulsen

PRODUCT TYPE 

Pendant Light

WEIGHT 

Max 3.6 kg

DESIGNER 

Poul Henningsen

MATERIAL

-Shades : Spun aluminium.
-Anti-glare disc: Blue, Spun aluminium. Struts: Rolled aluminium coloured.

MOUNTING 

PH 5-4½ (E27): Cable 3 x 0,75mm². Canopy: Yes. Cable length: 3m. PH 5-4½ (LED): Cable 2 x 1,5mm². Canopy: Yes. LED canopy contains driver. Cable length: 4m. PH 6½-6 (LED): Cable 2 x 1 mm² and wire. Canopy or external driver box contains driver. Cable length: 4m. Maximum distance between external driver box and fixture: 20m.

FINISH 

White

LIGHT SOURCE 

Light source 1x70W E27

Louis Poulsen PH 5-4½ & PH 6½-6  Pendant Light

DIMENSIONS

- Width : 466 mm
- Height : 318 mm
- Length : 466

CHARACTERISTICS

-100% glare free light -Symmetric light distribution -Fixture illuminates itself and its surroundings

INFORMATION

PH 5-4½: LED Upgrade kit fits as standard PH 5-4½ E27 produced after 1983. PH 6½-6: The LED insert fits as standard PH 6½-6 E27/E40 produced after 1999. For PH 6½-6 produced prior to 1999 you need a renovation kit which can by acquired as an accessory. Please note the LED insert does not fit variants produced with metal halide. For LED replacement kits please do contact Louis Poulsen.

CLASS

Ingress protection IP20. Electric shock protection I w. ground.

LIGHT DISTRIBUTION DIAGRAMS

Louis Poulsen PH 5-4½ & PH 6½-6  Pendant Light
Louis Poulsen PH 5-4½ & PH 6½-6  Pendant Light
Louis Poulsen PH 5-4½ & PH 6½-6  Pendant Light

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Louis Poulsen
T +45 70 331414
Louis Poulsen
Kuglegårdsvej 19 - 23, 1434 København, Denmark