Bludot Field Lounge Chair
FIELD LOUNGE CHAIR
INFORMATION
TAIT BLUSH (BLUSH BASE)
- 90% Polyester
- 10% Linen blend upholstery | 50.000 Double Rubs
COLLECTION
Portia
PRODUCTION
Made in USA
CRAIG RED (RED BASE)
- 80% Polyester
- 20% Linen blend upholstery | 30.000 Double Rubs
INK LEATHER (OBLIVION BASE)
An aniline leather with a soft matte finish and velvety feel; variation in the natural leather becomes more beautiful with use; color variation is a signature to the authenticity of natural leather.
RATED
BIFMA rated
DOWNLOAD
↓ Assembly+Care
CUSHIONS
Reversible seat and back cushions
ARM DIMENSIONS
- Width : 2”
- Height : 20”
CAMEL LEATHER (OBLIVION BASE)
An aniline leather that has been burnished and polished to create a cool hand and velvety texture with a slight sheen, enhancing the natural character of the leather; a lovely patina will develop over time; color variation is a signature to the authenticity of natural leather.
SEAT DIMENSIONS
- Width : 29”
- Height : 19”
- Depth : 22”
WEIGHT
70 lbs
USE
Interior
BACK DIMENSIONS
- Width : 29”
- Height : 23”
- Depth : 2”
CERTIFICATION
Maharam upholstery fabrics are Green Guard and Green Guard Gold certified to meet the standards for low chemical emissions and VOCs, contributing to healthy indoor air
WARRANTY
5 Years
DESIGN YEAR
2015
ENVIRONMENT
Indoor
INCLUDED
Lumbar Pillow Included
EDWARDS LIGHT GREY (BLACK BASE) / NAVY (BLACK BASE) / TOMATO (TOMATO BASE)
- 28% Wool
- 70% Acrylic
- 2% Nylon blend upholstery | 30.000 Double Rubs
MAHARAM MELD IN PANDA (OBLIVION BASE)
- 32% Polyester | 100.000 Double Rubs
- 68% Post-Consumer Recycled Polyester
MOSS (PUTTY BASE) / STORM VELVET (SLATE BASE)
- 82% Polyester
- 18% Cotton blend upholstery | 100.000 Double Rubs
MAHARAM CANDOR IN FLARE (MUSTARD BASE) / CANNOLI (PUTTY BASE)
- 70% Post-Industrial Recycled Cotton
- 30% Polyester | 70,000 Double Rubs
DESIGN STORY
Field Lounge Chair gave us a good feeling right from the start. Our goal was to design a chair you could really sink into. Something big, plush and super comfortable. That meant arms were a must. The trick was finding a way to make them feel like part of the form, instead of a separate element, which tends to take the chair into mid-century territory. We shaped the arms and body to work as one, which defined the silhouette, while keeping it simple and sculptural. Then we topped it with sumptuous upholstered cushions to up the comfort quotient.